BEGIN:VCALENDAR VERSION:2.0 METHOD:PUBLISH PRODID:-//Telerik Inc.//Sitefinity CMS 14.4//EN BEGIN:VTIMEZONE TZID:Central Standard Time BEGIN:STANDARD DTSTART:20231102T020000 RRULE:FREQ=YEARLY;BYDAY=1SU;BYHOUR=2;BYMINUTE=0;BYMONTH=11 TZNAME:Central Standard Time TZOFFSETFROM:-0500 TZOFFSETTO:-0600 END:STANDARD BEGIN:DAYLIGHT DTSTART:20230301T020000 RRULE:FREQ=YEARLY;BYDAY=2SU;BYHOUR=2;BYMINUTE=0;BYMONTH=3 TZNAME:Central Daylight Time TZOFFSETFROM:-0600 TZOFFSETTO:-0500 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DESCRIPTION:Event Type: LectureSpeaker Information: Matt Rubery\nAudiobooks do more than reproduce printed books. Although the audiobook’s reliance o n sound is sometimes perceived as a liability\, there are numerous instanc es in which the addition of sound effects might be said to enhance the rea ding experience. This presentation examines recordings that take advantage of the audiobook’s affordances to go beyond simply replicating print. Dra wing on sources ranging from children’s books to celebrity memoirs\, it ta kes up the question: What happens when publishers experiment with sound to create “book audio” instead of audiobooks—that is\, recordings whose soun dtracks go beyond the verbal description of sounds by using actual sounds? \nZoom information:\n\nhttps://illinois.zoom.us/j/93096332652?pwd=M0dRTHc3 TThlNEZvazY5emozd1BQdz09\n \;\nMeeting ID: 930 9633 2652\nPassword: cc b-audio\n \;\nOne tap mobile\n+16513728299\,\,93096332652# US (St. Pau l)\n+17866351003\,\,93096332652# US (Miami)\n \;\nJoin by Skype for Bu siness\nhttps://illinois.zoom.us/skype/93096332652Cost: FreeContact: Prof. Sarah Schwebelccb-asst@illinois.eduSponsor: Center for Children's Books DTEND:20200917T180000Z DTSTAMP:20240329T145455Z DTSTART:20200917T170000Z LOCATION:IL\,USA\,Champaign\,Zoom SEQUENCE:0 SUMMARY:Book Audio UID:RFCALITEM638473028957680472 X-ALT-DESC;FMTTYPE=text/html:
Event Type: Lecture
Speaker Information: Matt Rubery
Audiobooks do more than reproduce printe d books. Although the audiobook’s reliance on sound is sometimes perceived as a liability\, there are numerous instances in which the addition of so und effects might be said to enhance the reading experience. This presenta tion examines recordings that take advantage of the audiobook’s affordance s to go beyond simply replicating print. Drawing on sources ranging from c hildren’s books to celebrity memoirs\, it takes up the question: What happ ens when publishers experiment with sound to create “book audio” instead o f audiobooks—that is\, recordings whose soundtracks go beyond the verbal d escription of sounds by using actual sounds?
\nZoom information:
\nCost: Free
Contact: Prof. Sarah Schwebel
ccb-asst@illinois.edu
Sponsor: Center for Child ren's Books
END:VEVENT END:VCALENDAR